Thoughts about Play Doh (Tips and Tricks)

So I have a confession to make, I'm obsessed with something weird again, and this time it's Play Doh.

I had this strong urge to make some rune stones from clay. I've done it before with a batch of air dry clay and while it was a pain to work with it was something I wanted to try again. I went out in search for my clay, but when I got to the store, they were completely sold out. I stared at the empty shelf in dismay. How could the internet lie to me and say that they had it in stock? On my walk of shame out of the store, something caught my eye.

On a random aisle I spied big packs of Play Doh on sale for $1.75 a piece. I thought, shoot, for that price, why not give it a try? So when I go to buy them, to my utter surprise they ring up 50 cents a piece for a roughly 10 oz bag of Play Doh. It was an incredible deal considering that in the crafts section they were selling 2 ounce cups of the stuff for an insane mark up.

I scurry my loot back home and get to work. And after getting past the initial stigma of "Play Doh is for babies" I actually really start to like the medium I'm working with. Unlike air dry clay, Play Doh was a lot less difficult to work with in a lot of ways. It wasn't as messy and it didn't dry out as fast as air dry clay. It has a smooth and almost plasticky texture and was easy to manipulate with tools and my hands. As I worked with the Play Doh I couldn't help but wonder how it would hold up compared to the other clay that was designed to harden and "keep forever."

The reason I wrote this post, however, is because of one main complaint I have about Play Doh: Nobody really seems to know much about its actual properties or how to do cool stuff with it. I searched voraciously on the internet for informative tutorials on the subject, looking for examples of fine art Play Doh sculptures, advice on painting it or different crafts to do with it. Sure, I found a few things. I found a lot of videos by pre teen girls sharing their Play Doh charm collections (which were actually pretty awesome) and many links to that pinterest craft about making your own Play Doh and making an ornament of your baby's hand or dog's paw or something. I even found one example of Play Doh used in a fine art setting where the artist cut out many colored swirled circles of Play Doh and made intricate mosaics out of them.
All well and good but, where's the real answers to my questions here? I couldn't find much on anything. It was then realized that I was going to have to lead by example and write about this pressing matter myself. Like a mad scientist, I will have to record my findings.

Here is one woman's attempt to answer "Frequently Asked Questions" for any strange soul who decides they want to do something serious with Play Doh. To conduct my "experiments" I started out with just a few basic projects to see how it worked including some different charms and magnets. As a disclaimer, this is all just based off of personal experience so far, and I only experimented on smaller pieces and not any large ones, so the information may not be completely accurate or applicable to you. However, at the very least this should be a good jumping off point for any curious crafters out there who want to seriously try Play Doh for themselves.

Play Doh and Salt Dough- What is this stuff?

First of all, what is Play Doh? It's actually more close to a cookie dough than actual clay. Most clays have an element of soil or mud to them but Play Doh is mainly made up of salt and flour. That's why there are so many recipes out there to make your own, and why Play Doh has to advertise itself as a "modeling compound" and not "modeling clay." This is also the key to keeping Play Doh nontoxic and, weirdly enough, edible. When people make this stuff themselves, they call it Salt Dough. Whenever you see an artist saying that they use "salt dough" know that they secretly are using a derivative of Play Doh and don't want you to judge them for using a modeling compound supposedly made for children! Interestingly, if you search for salt dough projects you will get more serious results than Play Doh even though they are virtually the same thing.

How do you dry out Play Doh without cracking or crumbling it?

There's a few strategies I found to achieve this.  A lot of people suggest cooking it in the oven like a "normal" piece of clay, but I thought this seemed kind of reckless considering how notorious Play Doh is for cracking and crumbling when dry. I have always been told to dry clay out slowly if you are trying to keep it from cracking, so I applied this knowledge to my Play Doh creations. How I achieved this- I left the pieces on a tray to dry in a fairly cool place that was not next to a draft. I also kept it away from extreme heat, sunlight and humidity. In short, I just left it on my desk for about a week. So far, I can say that none of my charms or bits experienced cracks or crumbles. Just try to keep your sculptures on the smaller side and avoid long thin pieces that extend outside of the sculpture and you will be pretty safe from cracks and crumbles. What you really need to look out for is salting.

What is "Salting?"

Untreated Play Doh Hamburger, before drying and afterwards.
Notice the deposit of salt on the surface of the figure in the second image.

The concept of salting was originally brought up to me by SoCratfastic's video on Play Doh tips and tricks. I don't know why exactly it happens,  but during the drying process, (probably having something to do with the moisture and the salt content of the compound,) a lot of Play Doh pieces become kind of "ashy" or "salty" looking instead of staying smooth and colorful. It's not ideal for pieces that are supposed to be jewelry because it just looks kind of bad and unlike its clay compounded siblings which dry smooth and true to color. This to me seems like the biggest limitation to using Play Doh, and the biggest unknown factor when it comes to the success of your project. I've noticed a few factors that seem to effect the salting-

A flat relief sculpture
 made of Play Doh that
dried beautifully.

1. So Craftastic suggests drying the pieces evenly, but I personally haven't found much of a consistency with this technique. My first batch of charms were flipped and turned and rotated to high heaven in order to ensure that every square inch evenly dried, however this didn't seem to have made a difference in the inevitable saltiness of the pieces, if not pronouncing the problem even more. However, I have to note that your results may vary with this technique. I live in the south and experience a lot of humidity. I often wonder if how arid or humid your environment is may effect the drying process in general. The science behind this is beyond me, but if you want to keep your pieces untreated, you'll have to experiment for yourself to see exactly how it reacts to your personal drying location.
2. On the other hand, I actually discovered that if you leave the pieces to dry flat and don't move them much, that most of salt will settle at the bottom / on the backside of your piece. This only really works if you are doing a two dimensional sculpture, but I had great success with those kind of pieces.
3.  After trial and error, it's my opinion that the best way to avoid salting in 3D pieces is to just put a sealant over the piece before it has a chance to completely dry and salt over

The timing for this is tricky because you don't want to seal it when the piece is not dry enough (still malleable/squishy) because it's unlikely to harden evenly, but you don't want to wait too long because once the salting process starts it becomes much more difficult to make the sealer or paint stick. 

I was having a big problem with this when I was painting those first charms that had completely salted over. The salt was drying out and gunking up the adhesive and it was hard to get it a neat and smooth coat. I had to do many thin layers and really take my time with it, very annoying for one little banana!

Even with all of this thought behind it, I suspect there is no way to completely avoid having a little bit of a salty texture to your finished piece if you are using Play Doh, but you can get it to a point where it isn't very noticeable, or even create a design that uses the effect to its advantage.

What kind of sealant should I put on my Play Doh sculpture?

Personally, I just used Mod Podge, and it seems to work okay. It was cheap, readily available, and easy to wash off my hands and my brushes. It gives the crafts a fairly smooth texture and shiny finish. Try to make thin, even layers over everything, building up layers one by one slowly.  Avoid pooling the sealant in any of the sculpture's cracks- I noticed that if I painted on the mod podge too thick, it didn't completely dry invisible for some reason.

Curious on other options for sealants I decided to pick the brain of Lacy Knudson of Dozayix to see what she used to seal her incredible Play Doh mosaics. About sealants, she says: "I use a two-part UV resistant resin called EX-74 sold by Environmental Technologies Incorporated. I buy it through a local distributor here in San Diego but the website is here." There are also varnishes available at the craft store that would work as a low cost "weatherproof" sealant, but I haven't personally experimented much with the stuff on Play Doh yet.* However, I think the effect of sealing the pieces is not only more professional but pleasing to the eye, and if you get a chance to incorporate resin, varnish or other substantial sealants, I'd highly recommend experimenting with them.

*Edit: So I tried the varnish and it's no good. It just brushes right off, doesn't bond with the oil or salt in the Doh I suppose. However, I discovered that GLOSS Mod Podge works great! It takes to the sculptures a little better than Mod Podge Matte does (which is what I've used so far) and also seems to even clean up some of the salting effect. I would reccomend Gloss Modge Podge as a great starter sealant for Play Doh sculptures. 

One of Lacy's Knudson's mosaics "A New World"
made completely out of Play Doh featuring a shiny resin finish.

Should I use water to moisten my sculpture as I go?

Probably not, which is actually one of the things I like about Play Doh. Just manipulating it with your hands can smooth most cracks and creases. For the sake of comparison, this is very different from air dry clay. With air dry clay, I found myself constantly feeding it water, smoothing over cracks, trying to moisten pointed tips so they wouldn't crumble off. My hands were constantly a crusty shade of mud white, the clay caking to my hands as I worked and shedding everywhere I touched, including my clothes and work space. Not so with Play Doh. Play Doh contains mineral oil which keeps it smooth and more malleable for a longer time, but as we all know, oil and water don't mix. The only time it would be useful to moisten your Play Doh is if it's completely dried out and has time to sit and soak for a while. Little droplets as a smoothing attempt are likely to just roll off. If your Play Doh is getting too dried out while you work, you're probably leaving it out too long. Put it back in the container when you're not using it, only expose the doh to the air when you are working on it. If your sculpture is small enough, you can put it back in the container/packet for a bit and it should absorb some of the moisture from the rest of  the Doh. .

How long does it take to dry?

I did NOT cook this pizza in the oven. 

In my opinion, you should hold off on trying 

to "bake" your Play Doh.

I think they do the best by curing/drying over a long period of time. They become workable with other media like paint and varnish within the first few days (3-4 days of drying), but the longer you let them sit, the harder they become over all. I have noticed something though. Depending on the weather/temperature/some unknown factor, the dried Play Doh seems to be inconsistently somewhat harder or softer on any given day, especially the untreated pieces. To me, this difference is an even stronger indication that the Play Doh compound is effected by its environment. Just keep that in mind when storing your pieces.

 Can you paint it, and how does the paint react? 

Painted Play Doh cockatiel charms

Just regular ol' acrylic paints seemed to fair well on semi-dried pieces of Play Doh, but I had similar problems to when I was trying to seal them- if the piece is salty, it will be more difficult to apply the paint smoothly. Two thoughts on the subject: Firstly, if you have access to the full rainbow of colors that Play Doh has provided you, use them! I was lucky to get that sweet sale that allowed me to get a full palette. The colors mix extraordinarily well in my opinion- I was able to get the colors I needed by mixing them. However, if you absolutely feel hell bent on painting it by hand, no worries, I had the same sentiment. I experimented with these little cockatiel charms by sealing it over with mod podge and then painting on top of that. Painting over it with gesso or sealant before you begin to layer the paint will make your life easier because it will smooth over the surface. 

Speaking of which, I discovered, the "crumbles" from carving into the compound will also gum up your paint. For example, with my rune stones, I had to be very careful when creating and painting inside the carved symbols. I resorted to taking a tool and trying to scrape out some of the carving crumbs but to no avail. It seems better to just try to make smooth, even grooves, creases, shapes ect, if you intend on painting them, because the paint will go on much more neatly and easily.

Black widow runes - painted in red

A pisces charm that has been darkened with metallic blue gel pen color.

Another coloring technique to think about is markers and gel pens. I had great success with colorizing these purple rune stones with a glitter gel pen - I used its tendency to smear to my advantage and the effect gave it a very interesting look. Let the ink dry and then carefully varnish them to avoid smearing detailed lines. You may have to paint over only the lined parts to keep it from smearing, especially if your marker/pen was not waterproof.

Any more questions?

I may do a follow up to this post sometime in the near future as I continue to learn about the properties of this humble but deceptively handy "modeling compound," so think of some good questions for me! Right now I am experimenting with making relief sculptures. Now to just figure out how to keep them from curling up when they dry flat... Anyways, to send you off with some inspiration maybe, here's some of my other charms. By the way, you can check in at my new Etsy store which will have charms and other fun things available for purchase very soon.  Stay tuned and in the mean time, remember to leave a comment if you have any questions or your own thoughts on the serious matters of Play Doh!

More Charms and Stuff

A bunch of banana charms!

 My first attempt at a pizza charm.

A more complicated "supreme" pizza charm.

A bunch of little skull charms.

Carrots, pickles, and apple cores, oh my!

Weiner Dogs Charms, get it?

Mushroom, Mushroom.

. * ･ ｡ﾟ☆━੧༼ •́ ヮ •̀ ༽୨

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Green Horn Shrine

I don't do many sculptural pieces but sometimes I get inspired by weird objects that I find, similar to when I made that Junk Wind Chime with an old crushed beer can. I don't know why I get these urges to make things with discarded junk, I suppose it's the pack rat in me that hates to see "interesting" things get thrown away. Anyways, this project started out as a hollowed out styrofoam block. "Perfect shape for a shrine!" I thought. I also knew the perfect thing to honor - my fleeting youth. I had just moved out of my parents house again and I was feeling both horribly naive and painfully aged at the same time. What a strange feeling it is, to have to be an adult but still feel like a baby! And so I dedicated my shrine to that.

According to Webster, a Green Horn is "a person who lacks experience and knowledge." It brings visions of a young buck that is just coming of age- The prime of their life, strong and youthful, their horns still budding and new, fresh and green, full of arrogance and naivety. Sometimes I feel like that buck. So in that way, this piece is somewhat of a self portrait.

 I used a lot of difference media to create the shine itself. Pretty much anything I could get my hands on that reminded me of youth, wonderment, and an overblown sense of entitlement. Mainly just old jewelry and various string, though. I loved adding the layers of stuff - I wanted it encrusted with shiny whimsical trinkets. Also, the doors on the shrine are totally functional. I wanted to be able to display this piece as "reserved" or "out in the open."

By the way, on the subject of shrines, I'm obsessed with them. There are so many beautiful examples out there of artist shrines that inspired me a lot. I love the idea of inserting symbols and relics into a shrine that are significant to only you, making them ultra personal and kind of "secretive" works of art for the viewer to decipher on their own.  Here are some amazing examples of artist shrines that embody those ideals. Some of their meanings are more obvious than others.

 By Jones Moore 

By Mai-Liss

By Collette Bain 

By Cindy La Ferle

Check out those artist pages for even more examples of shrines. Amazing work by talented people. Also, if this has got you curious on how to make your very own personal shrine, here are a few tutorials to get you started!

Shadow box shrines made with dollar store frames by Cut Out and Keep

Paper Shrine Template by Stampers Anonymous 

Make a Gratitude Shrine by Crizmac

Flowertown Players and Artists wiith Conviction Coalition presents- The Science of Art

The Science of Art- "Einstein" by Robert Frank

 As a part of The Flowertown Players' "Science of Art" Gala Fundraiser, the new art group I started called 'The Artists with Conviction Coalition' got to put together a free outdoor art show. I was honored to have the opportunity to organize this show on Coaltion's behalf in tandem with our new allies at the Flowertown. They were so kind, accommodating and helpful- they gave us a chance and we tried our best to earn our keep! I was going to make a point not to let them down.

It wasn't hard to get a handful of extremely talented artists from the group together to participate in this event. We are lucky that the Coalition has a lot of talent on hand. I am proud to say that by the end of the art deadline we had over 60 pieces to show in all! I couldn't believe the quality of work that poured in for this exhibit.

Here's an over all view of the walls of artwork created by the Artists with Conviction Coalition.

Painted by Heather Pallay and Erika Filipiak.

You may have noticed that the screens are painted with a delightful meadow & forest design. Once again, I'd have to give credit to Flowertown Players for that addition. They helped us build screens to hang art by recycling old sets of performances past. The particular show they recycled these screens from was their uber successful rendition of Wizard of Oz. I was told that these slats of wood were "The Last of the Oz Set." I like the fact that we are using the last brackground from something so successful as the first background of something so brand new. I feel like that gives the Coalition extra positive energy to go forward with in the future.

Plus, the exhibit has such a fresh and happy look to it, dont you think?
It's the springtime for the Coaliton!

View of the Flowertown/Coalition Gala festivities from afar.

 I guess I should explain what this event was all about in the first place. It was a fundraiser for Flowertown Players Theater to help them produce future shows and promote their newest performance, Picasso at the Lapine Agile (OCT 18th -NOV 1st). It is a play written by Steve Martin that answers a question that nobody thought to ask- "What would happen if Einstein and Picasso met in a bar?" Intelligent highbrow hilarity ensues! Needless to say, our "artsyness" fit in perfectly with the theme of this Gala.

The center of the exhibit featuring the grand piece "Bob Marley" by Christopher LeBeau.

Anyways, a lot of good and creative things came out of the woodwork. I was particularly proud to show pieces by artist Chris LeBeau, who is totally blowing up right now! In addition to this show he is going to be featured in at least 2 more this month, and for one of which he is a headlining artist. For our exhibit, he also brought some very cool Star Wars pieces to the table which got lots of attention from the Sci Fi fans.

Also featured was Nino Tria, a very old friend of mine from High School who is incredibly talented as well. (Make sure to check out his Tumblr for a bunch of his work and other things.) He heard of the event "late in the game" but still managed to finish up a brand new piece just in time for the show. His submissions are the colorful portraits of his siblings, situated directly below Bob Marley. I just love how they bring a little bit of extra poppy-ness and color to the display.

The right wall of our Flowertown Gala "Science of Art" Coalition exhibit featuring work from Candice Bizzell, Alexandra Roberts, Trina Lyn,  Lora Marsh, Heather Pallay, and Angela Hiott Morgane.

I can't possibly describe how cool every artwork was, all I can say is that these artists brought it. Almost all of the photography contributions came from either Candice Bizzell or Yoshika Johnson. Candice runs the Visual Arts Association for Trident Tech, so I was thrilled to get the chance to combine forces with yet another artsy group. I think it's great that all these different alliances can work together without feeling like we all need to compete with each other. We are all chasing after the same goals, so we might as well team up when we can.

Speaking of groups, check our our awesome Artists with Conviction Coalition flyer. I think it gets the point across! (Thanks HPallay for bailing me out when I forgot to print these, btw :-* Life saver. )

Another shot of the Artists with Conviction Coalition exhibit with work from Crystal King, Alexandra Roberts, Robert Frank, Angela Morgane and Alizey Khan.

 As my first time actually curating an event, I tried my best to organize the artworks by themes or colors. For example, the middle panel is dedicated to enlightenment and growth. I tried to organize all the "plant material" together in one general area. There was also a loose "cosmos" theme going on thanks to beautiful work by Angela Hiott Morgane and others.

Work by Alizey Khan, Yoshika Johnson, Chris Lebeau, Alexandra Roberts, and Robert Frank.

Another awesome wall of artwork- this one featuring more work by Chris Lebeau as well as another superstar in our midst, Alizey Khan. We became acquainted after the Coalition heard about the now famous incident of her work being stolen from the Charleston Library. It was awesome that she trusted us enough to allow us to show a couple of her incredibly intricate resin cosmo pieces.

Work by Christopher Lebeau, Christa Elrod, Lora Marsh, Trina Lyn, Heather Pallay and Crystal King.

 For the farthest side of the set up, I enjoyed making this quaint little "macabre corner" of artwork.  Lora Marsh's "Another Supper" piece, featured lower middle, got lots of attention from patrons. I also really dig Crystal King's expressive portrait contributions featured lower right. For some reason I thought they flowed well with the other creepy creations on this wall. You may also notice my ol' faithful Sugar Skull- it is foreshadowing of the next show I'm going to be participating in, Phil Hyman's Day of the Dead.  But more on that later!

The live science exhibit at the Flowertown Science of Art gala
with our resident scientists Edward Barnes & Michael Truxel.

Me and Robert competing in the Abstract "Draw Off."
We both won, of course :P

I can't forget to mention all the other cool things that were going on at the Science of Art gala. There was a live demonstration of science experiments including an experiment with surface tension and Science Sweet Tea! Also a free "Draw Off" booth courtesy of Summerville's own Bottles and Brushes. You had to draw a friend's portrait and whoever did the better one wins candy! On a side note- I have always had an admiration for Bottles and Brushes. They make art fun for people who didn't think they could be creative! If you're in the area, it's definitely worth signing up for one of their classes.

Did I mention they had a very competitive silent auction? Items up for auction included awesome gift baskets full of decadent goodies as well as gift certificates to local parks. People were going crazy over that stuff!

We were also treated with a live preview of the Flowertown Players of Summerville's production of "Picasso at the Lapine Agile." This is right before Picasso and Einstein have a Draw Off of their own. I guess if you want to find out who wins, you'll have to see the performance yourself! This is going to be a great play!

Heather Pallay getting her portrait drawn by yours truly.

Trina Lyn- Live Portrait Artist for Hire!

Oh, and check it out- Flowertown hired me to draw portraits of the patrons! I was thrilled to have a chance to share my art with everyone in this way. If anything, being able to draw people from life is an awesome party trick. 
My medium for the portraits was soft pastel- I had to brush up on my pastel skills before the show to make sure I could do a good job! It was worth the extra time though, pastels turned out to be a great medium for portrait drawing.

The Junior Service League of Summerville

The Science of Art Planning Committee- Hey, there's me...

This is the part where I just have to gush about all the other amazing volunteers that came out and helped put the show together...

Heather Pallay's "Wave #4" - a series about self growth

Firstly, there was Heather Pallay, the Theatre Administrator of Flowertown Players, who approached me with the idea of having a Coalition exhibit at their event in the first place. Everything she did for us after that just blows my mind... getting us screens, promoting the art group, even having the crazy idea of bringing all of the exhibit under a tent so that it wouldn't possibly get rained on- and it eventually did rain that day. This girl even bought me a mocha frappe after one of our committee meetings. If there could possibly be an award for "most helpful person for no reason" it would go to Heather Pallay. She is also a very creative artist that was gracious enough to contribute a few pieces to our Coalition show as well.

Me hangin' out with Bob Frank after drawing
each other at the Bottles and Brushes station :P

  I also have to give my pal Robert Frank and fellow Coalition Moderator a lot of kudos for helping get the pieces put up before the show. He was a huge part of making sure everything got hung up on our recycled screens. Without him, the installation wouldn't have happened at all! He also was an incredible help when it came to getting the artists organized and delivering their artwork on time. (I don't know how he did that! witchcraft! ) Over all, I'm really glad that he decided to volunteer and help organize this event.

Crystal King working on some new artwork as she helps out at the
Artists with Conviction Coalition Volunteer booth.

Speaking of volunteers, another shining star at this event was artist Crystal King. Some may remember her from a blog post I wrote a while ago when I met and showed artwork with Crystal at Phil Hyman's "Outsiders" art show. I was so relieved when she decided to come help the group out on our big day! She is such a mature and kind young lady, great company for one's first art show.

Tim and Tori Walters of "Mystic Ghazala" also helped a bunch by coming out and taking free pictures of the event!

The Ice House in Summerville- Image by Post and Courier.

Of course last but not least on my list of people to thank would be those at The Ice House in Summerville who allowed everyone to set up at their beautiful restaurant in the first place. They have such a nice property which gave us lots of room to do our thang. Can you believe they also fed us delicious gourmet treats? I got to eat my first Cordon Bleu- and it was good. I also remember having this crazy fluffy good pastry puff. It was such a nice relief from all the hustling and bustling I had been doing that day. (They also gave me one complimentary "special punch" drink which made me fly around the room! LOL) I can't wait to come back to their place during regular business hours so I can sample some more of their awesome Summerville Cuisine.

An adorably atmospheric center piece to send you off.

Man, have things changed over such a short period of time. Just a few months ago I was scraping together art events through craigslist and other random outlets. Now I'm helping curate a show where other artists are approaching me! So fancy. This is just the start of something really great.

I am very grateful that I had the opportunity to try such a project like this. The amount of experience I gained and the doors that opened for everyone involved was completely priceless. I look forward to next year, which promises more art and even more opportunities!

Thanks again to everyone that helped make it happen!




Photography by Heather Pallay and Mystic Ghazala.